Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
无聊狗血到炸，这男主这性格太无语了，没有颜值完全看不下去
晋江狗血小说被三流导演翻拍的即视感，但主角太养眼了哇卡卡卡，精神鸦片名不虚传。打二🌟之后默默搬小板凳等第四部嘿嘿嘿
就很好奇船戏和前两集比是怎么做到毫无火花的？剧情莫名其妙已经说腻了还玩琼瑶也太没创意了吧！唯二能夸的只有Hero和Jo毫无瑕疵的颜值，特别是Jo的小脸，果然好看就是要瘦（跑题了
又是一众大牌，酝出一坨屎，现在无聊且多余话唠好像是好莱坞的招牌了。廉价又低级的动作喜剧，剧情已经不强求了，但是连笑料都做不好
越来越没劲，总是为一些鸡毛蒜皮的小事分分合合，最后再来个big news，不带这样玩的
这个动机有点尬 竟然拿背部照片黑白转换找灵感，这特么就是没灵感 一点艺术细菌都没有
这么缜密的办案态度，清晰的办案条理，与生俱来的办案直觉，这孩子毕业不去干刑侦可惜了。
沒有那麼多的網飛全球化味道。就憑影片的很多藝術化情節，很難得。
这一部我觉得把剧情圆的挺好的，狗血的剧情也解释了为什么Hardin总是那么的缺乏安全感，男女主cp感越来越强了
色调是灰暗的，故事结构是可以的，我一直在想为什么电影中的父亲不愿意相信女儿，最后还是妈妈给予了女儿支持，也许还是由于父权文化影响，女孩就应当保守矜持，如果聚会出了事，也是咎由自取，但情感上的冲击力可以更强些，背景音乐上的渲染，或者演员的表现，剧情的冲突性可以更强一些，会更震撼些。剧中让我很印象深刻的是女主躺在复印机上，扫描自己的胎记，第一次知道复印机可以这么用
作为一部动作冒险喜剧的类型片，笑点太少，冒险不够刺激，过程毫无新意，这样的作品绝对是不及格的。唯一的亮点必然是布拉德·皮特的骚气甩发和桑德拉·布洛克面对查宁·塔图姆正面全裸的语无伦次。
这部剧的男女主角比较像个正常人而不是doi工具了，最后短短一天毁了男女主本来幸福的生活真的不理解他妈和女主老板脑子里在想什么😓😓😓😓，男主还没毕业下一部要怎么回去面对他爸啊，我不理解真的
3.5 有点子惊喜的，想想要是我自己，估计到被逼道歉那里就完结了，有妈真好
The ending was a hell of a plot twist, so unexpected.
印尼电影工业在整个东南亚地区算是佼佼者，这样的作品出现一点也不奇怪。总之叛逆的青少年在中国影视作品已经绝迹了，别人一个穆斯林国家都还能拍呢。
秉持有始有终的原则我还是追了第三部，但是我更喜欢第一部！目睹自己妈打击也太大了😖
大蠢片（褒义）。其实是卡普拉式神经喜剧，冒险部分在110分钟的片长中有些过短了，但老掉牙的动作桥段依旧有效。
题材新颖 因为超级超级小众 所以没有办法与人分享 独自观影 也深陷其中
三星是给男女主＋狗血剧情🤪，偶尔狗血还是不错的选择
跳舞那段真的很尬 但俺也真的很爱看帅哥😍😍帅死我得了 女主这部好贱哦 最后一幕简直心碎大狗狗 谁忍得住啊
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