Living with her father and stepmother in Naples, Anna is very unhappy as her stepmother hinders her attempts to live her own life. While her parents are away, she goes out with Carlo, but finds herself locked out when she comes home. This angers Carlo and he asks Anna to go away with him to Rome, where he plans to liquidate his business assets in order to have money for marriage. He quarrels with his partner and is implicated when his partner is found murdered. Although innocent, he is convicted and given a long sentence. Anna has a child and, finding it impossible to support her child , returns to Naples. The stepmother's conditions are that before she will agree to house the child, Anna must commit herself to a reformatory for unmarried mothers.
片子本身的质量还可以,但一部十周年纪念作把主角给写死也太操蛋了吧
还铺了一大堆回忆
我就在这里骂你,你别让我看到你,看到了必须打你脸,头发都给你拽下来
我就在这里骂你,你别让我看到你,看到了必须打你脸,头发都给你拽下来
过了几天仔细想了想,这个剧场版更像是为了填坑,为了结束而结束,一切戛然而止,东映你睡得着吗?😭😭
编剧你什么意思?我妈才复活,和我爸见完三面就阴阳两隔了😇三星送给辛苦的秀君和大家。合体皮套还是很美的,只是刚美完两秒就发刀,滚滚滚。
(无关映司被刀)
毛利亘宏,你真的不要再当编剧了,能有几个这样的剧组够你嚯嚯啊?你真的对得起演员跟粉丝吗?能全员回归的剧组都少之又少,这就是你对热爱这部作品并且回归的演员们创作出来的剧本吗?演员们还要给你的破剧本安慰观众们,真的求求你跟久弥直树早日退休好吧。
十年了,一个人的归来却换来了另一个人的离去
海锅:我怎么就不配宝冢男役了😠将类似养老的沉重话题以轻松的方式拍出来一直是霓虹金的拿手好戏,不管是生前葬还是share house,人们都应该以乐观积极的心态来面对衰老和死亡。三谷客串那场戏太有他自己剧本的味儿了😂以及,作为独身主义者的海锅应该早就赚足养老资金了吧,老后一定余裕得很~
不要离去 从我的心中。
时间拿走了我最重要的东西,却不会归还于我。
md再回头看pv完全就是欺诈,pv全程都不是映司本人
为了这种一个小时仓促到没头没尾,制作成本也不高,粉丝情怀也没办法得到好好体现的映画,把全员都喊回来出演值得吗??东映你真的是个抠比,哪怕一个半小时长度也能让制作团队好好拍一下,非搞个这模样是想糊弄谁?
太敷衍了,不写悲剧能死吗?高田里穗是越来越好看了
有点像真司,有点像巧爷,不知道小林阿姨自己来写会写成啥样…
追番的时候还是高中生,为什么隔了十年还要发刀片555555
借着十周年的噱头明着给人喂翔,我一个骑士飞踢把主创们的*创到螺旋升天翘jiojio
两年前以为结局在时王,结果时王烂了
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